Daniel Wu at the 2015 San Diego Comic-Con International
|Chinese name||吳彥祖 (traditional)|
|Chinese name||吴彦祖 (simplified)|
|Pinyin||Wú Yànzǔ (Mandarin)|
|Jyutping||ng4 jin6zou2 (Cantonese)|
September 30, 1974 |
Berkeley, California, United States
|Occupation||actor, director, model, martial artist|
|Spouse(s)||Lisa S. (m. 2010)|
For most normal people, deadlifts stretch your hamstrings, but in my case, it tightened them, because I was already very flexible.
In my 20s, it was easy. In your 40s, it's a lot more challenging. You have to look at it like you're an actor, but you're also a professional athlete. You have to train.
You've gotta understand camera angles, camera movement - a kick that may not be very powerful may look very powerful from a certain angle.
I really want to take time and be in the moment with my kid for at least the first year. I know she's not going to remember that, but it's really for the family chemistry.
I came from doing Wushu and other martial arts, and then I got into movies, and I had to learn that as well - the language of martial arts movie fighting. It's a different thing; it's a different kind of logic.
In my 20s, I could just power through stuff and be fine, but now, in your 40s? It's kind of like Kobe Bryant. He plays basketball a little bit differently than he did when he first started out.
Part of the Hong Kong style is the fact that a lot of the performers can perform the moves, and we don't over-rehearse this stuff.
I really feel that Hong Kong is my home, and Hong Kong is my identity as an actor.
What we did with 'Tai Chi Zero' and 'Tai Chi Hero' was break down the martial-arts genre and make it younger, hipper, and kind of cooler for the younger kids.
After working on 'Europa,' I found it incredibly freeing to speak English in a film, so it kind of sparked an interest in me as an artist to improve my acting.
There's a huge interest in the Chinese market, and Hollywood has a huge interest in the Chinese market with films like 'Transformers' making more money over there than here.
At Diversion, we want to do genres that people are not doing - or, if we're doing genres that people are doing, to do them in a fresh way.
I worked with Jackie Chan for a long time, and seeing how much pain he's in, I realized that that might not be a sustainable career for me. So I started to develop my career as a dramatic actor rather than as an action actor.
It was 'Shaolin Temple,' Jet Li's first movie. That was the movie that got me to want to learn martial arts. Then I became a huge Jet Li/Jackie Chan fan after that.
What I miss from the States, I guess, is going to museums and to see small rock shows in small bars. We don't have that in Hong Kong. Unfortunately because the property market is so high, all rent is so expensive, they can't afford to have a rock music bar because those things don't make a lot of money, and they're paying a lot of rent.
I've built a career in Asia for 18 years, playing roles that had nothing to do with my race because everybody's Chinese in the films.
In 'The Matrix,' you see the fight between Keanu Reeves and Lawrence Fishburne. It's an amazing fight. But I know that they've rehearsed it for months beforehand. Because in some of the moves you can see them anticipating blocks before they actually happen.
I miss the Bay Area - the kind of laid-back lifestyle. Because in Hong Kong, you're going, like, 90 miles an hour, which is fun when you're young.
I turned 40, got married, got a kid, and my mother passed away. I experienced life and death, with the enjoyment of creating life and the loss, within one year.
For Mandarin scripts, there's software now where you can just insert the Chinese script, and it comes out all in pinyin.
For us as Asian-Americans, I think the bane of our existence is one stereotype - 'Sixteen Candles,' the Long Duk Dong character.