Quotes by: Garrett Hedlund
Hedlund at the 2015 San Diego Comic-Con International promoting Pan
September 3, 1984
Roseau, Minnesota, U.S.
||Actor, model, singer
The school I went to was a little farm school in Wannaska, student body 61 or something. There was a kid, the only black kid in our county, Dustin Byfuglien. He won the Stanley Cup a couple years back with the Blackhawks. Out of a class of 21 kids, he and I always had to be on opposite teams on everything because we were the most athletic.
When I read the 'Country Strong' script, I thought, 'Can't they just hand-double it? Can't I just do the rest of the movie and not have to do the performing?' It took me six months to learn to sing and play guitar at the same time.
For me, and this may not be everybody, but because I do love country music so much, there's such a feeling of home in Nashville, especially because it's such a small town. You bring up one song, everybody knows who wrote it, everybody knows their mother and what their cell number is, and all of the stories.
Nashville is a lot like my hometown. You learn so quickly once someone hears something about you or sees something, everybody talks about it at dinner. They know your business, so people tend to be more private and not to throw themselves into everyone's faces.
I'm not good at chatting right away. Women have to be very patient with me, I suppose.
I had to jump on the tractor and do my chores. I would have just killed to be in town, to be able to Rollerblade hand-in-hand with somebody I had a crush on. I just wanted to get off the farm, to find my outlet.
I've always had a longstanding dream, ever since I was a kid, where I was running on a big lake of ice and I kept running and kept running, just about to where I was trying to get to, and I fell through the ice, and then I couldn't find the hole where I fell through to get back out again.
I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.
I had never heard much about Nashville before coming out here, and that's why it's so surprising, because I'm the biggest enthusiast on the city of Nashville now. I'm looking for a place out here to live.
When you come across someone colorful and vibrant maybe in the present it isn't so interesting, but, in the past, it sheds a wonderful light onto living life.
I spill it out as fast as I can. I don't really edit. In Brazil, recently, I wrote 70 pages. In London, 80 pages.
The Beat Generation - that term is even more familiar now, even more than say the '70s. Hype is built and established and people link it back to a certain generation, in this case the '40s and '50s. Now everyone knows that that group was the Beat Generation.
'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.
My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.
I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop.'
It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'
Life's too short when you find yourself sitting in a car for four hours every day trying to get from East L.A. to West L.A. to Hollywood and then back to East L.A.
It's funny that I got to do 'On the Road' because the thing that had the biggest impact on me growing up was reading books. I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree.
In the present time you don't really establish what you're going through, but after time it's declared something. Right now there could be some writers doing something expressing their thoughts in a whole different style that we're not aware of. This could be the 'in-between the notes generation.'