Quotes by: Jackson Browne
Browne in 1980
||Clyde Jackson Browne
October 9, 1948 |
||Los Angeles, California, U.S
Adrenaline Music Group
Nitty Gritty Dirt Band
I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
People know more about baseball players' contracts than they do about the policies that govern the fate of our children's lives in twenty years. Think about it. People used to say, the whole time I was growing up, 'Do you want to bring a child into this world?' That's pretty dire.
I love to read. I love to stretch. In the morning, I get up, and if I'm not in a hurry, I will lie on the floor on a rug, look through some books and magazines, and maybe listen to music and try to do stretching exercises to tune up.
I'm a big fan of British journalists like 'The Independent's Robert Fisk, but it's hard to find voices like his in the U.S.
As far as those kinds of things, I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release.
I don't avoid anything. In my songs I just choose to talk about certain things, and so yeah, there are some aspects of my character and personality that don't come out.
If someone said, 'You can go live in this little town in Costa Rica for a couple of weeks and all you've got to do is sing for us,' I would do that. That's more exciting to me than the prospect of going on some national tour, where you're going to play arenas or sheds every night, because of the crushing repetition of that kind of line.
My forays into trying to date girls my own age from the school I went to were all pretty tortured.
Very often it's really inconvenient - who you fall in love with. You can't really control it.
Now, guitar was pretty cool. Everybody knew something on the guitar. So I wanted to play guitar, but I told my dad if he wanted me to keep studying something, I'd like to study piano.
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
The biggest influence? I've had several at different times - but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.
The idea that I wrote something that stood for the way I feel about things, and that it lasts, that's probably my favorite thing that I've done.
I get some heat for what English people call 'overproduction.' I don't think my older stuff was overproduced, but I do think that sound has dated.
So I had a couple of years of playing trumpet. I really enjoyed it, but it was not the kind of instrument you could whip out at a party. Let's face it.
I've also gotten to play in front of a million people in Central Park when there was a grass roots movement calling for nuclear disarmament - it was about 1982 - they called it Peace Sunday.
Right around the end of the fifties, college students and young people in general, began to realize that this music was almost like a history of our country - this music contained the real history of the people of this country.
I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.
So what I do, more than play any instrument - I mean, I love to play - but more than that, I write songs. Songs that are about living, about what it's like to be going through all the things that people go through in life.